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A furious Krock reset the ad for the next edition and demanded an explanation on how it happened. But when the paper hit the street, the T in tuck had been changed to an F. An ad for ladies' underwear was typeset to read: IF THESE SIZES ARE TOO BIG, TAKE A TUCK IN THEM. Cain later recalled this key innovation stemmed from a conversation he had years earlier with reporter Arthur Krock about Krock's days at the Louisville Courier-Journal. ^ While the story certainly used the Snyder case as a framework, it lacked an important ingredient of the Double Indemnity structure: the "inside-guy accomplice" to the murder-the Walter Huff character.
WALTER NEFF DOUBLE INDEMNITY ANALYSIS SERIES
Double Indemnity Universal Legacy Series DVD. ^ ACT Theatre production history Archived at the Wayback Machine.Unless the Threat of Death is Behind Them: Hard-boiled Fiction and Film Noir, p. Double Indemnity First Vintage Crime/Black Lizard Edition 1992, ISBN 2-6, p. And just like in the actual Snyder case, the modus operandi is poisoned wine. So, all day long they were spying on each other, and since a state of war like this could not last they both came to the conclusion that one of them had to die to give the other some rest. 177f.) Terrified by each other, and together with the black epiphany that going on living would be unbearable, they are led to a joint suicide using the poisoned drink the husband has prepared for his wife". Il fallait absolument que l'un de deux disparût pour que l'autre goûtât quelque repos" (Zola, pp. Finally, they also develop plans to kill each other: " Du matin au soir, ils s'espionnaient' 'Un tel etat de guerre ne pouvait durer davantage.
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Soon afterward, both start watching each other furtively with ever-growing fear of mutual betrayal.
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Here, too, an unhappily married woman instigates a man to kill her husband. Īpart from the Snyder case of 1927, "Cain's basic pattern strikingly resembles the one in Émile Zola's Thérèse Raquin (1867). The front page photo of Snyder's execution in the electric chair at Sing Sing has been called the most famous news photo of the 1920s. The murderers were quickly identified, arrested and convicted. In that crime, Ruth Snyder persuaded her boyfriend, Judd Gray, to kill her husband, Albert, after having him take out a big insurance policy with a double indemnity clause.
WALTER NEFF DOUBLE INDEMNITY ANALYSIS TRIAL
The same production moved to the San Jose Repertory Theatre and opened on January 18, 2012.Ĭain based the novella on a 1927 murder perpetrated by a married woman in Queens, New York, and her lover, whose trial he attended while working as a journalist in New York. Hamilton Wright, directed by Kurt Beattie, opened at ACT Theatre in Seattle on October 27, 2011. Cain as well as the screenplay for the 1944 film by Billy Wilder and Raymond Chandler.Ī stage adaptation by David Pichette and R. This credits for this version state that it is based on the original novel by James S. The film was remade in 1973 as a television film starring Richard Crenna. In the adaptation, Wilder and Chandler changed the names of the main characters: Walter Huff became Walter Neff, and Phyllis Nirdlinger became Phyllis Dietrichson. Double Indemnity was directed by Billy Wilder ( Raymond Chandler collaborated on the screenplay) and starred Fred MacMurray, Barbara Stanwyck, and Edward G. With "nothing ahead of" them (Cain, p. 113), they finally decide to jump off the ship and commit suicide. He survives, though, and the end sees both of them on a steamship heading to Mexico: Keyes has given them an ostensible chance to escape formal justice by booking their passages - without them knowing about the other.
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One night, he tries to ambush her, but she forestalls him and shoots at him, instead. With her own distrust mounting, Phyllis decides to kill her accomplice. The crime backfires on them, and soon afterwards, with the insurance company's claim manager Barton Keyes becoming more suspicious of them, he decides to kill her, too "for what she knew about me, and because the world isn't big enough for two people once they've got something like that on each other". After killing him in the Nirdlinger car, they stage an accident from the rear platform of a train. In spite of his instinctual decency, and intrigued by the challenge of committing the perfect murder, Walter is seduced into helping the femme fatale kill her husband for the insurance money. Walter Huff, an insurance agent, falls for the married Phyllis Nirdlinger, who consults him about accident insurance for her unsuspecting husband.